Rem Koolhaas, co-designer of the Wyly Theatre in the Arts District, has occasionally issued controversial manifestos. His newest one is the occasion for a clear-the-decks career analysis in The New York Review of Books.

Presented by Dallas Theater Center and Directed by Hal Brooks, Kim Rosenstock’s play Tigers Be Still is “a fierce comedy of suburban uproar.”

At TEDxSMU, audio professor Scott Douglas will talk about how new software makes lip-synching old hat. Is this a wonderful new bag of tricks or another music biz gimmick? It may depend on what you see as the performer’s job.

‘The Wiz’ is the first collaboration between the Dallas Theater Center and the Dallas Black Dance Theatre. It’s also the only production of ‘The Wiz’ to take some theatergoers on a trip to Oz, courtesy of director Kevin Moriarty’s movable audience sections. OK, so how does a choreographer deal with a stage that won’t stand still?

In 2012, the Dallas Opera will present its first chamber opera, Peter Maxwell Davies’ psychological thriller, ‘The Lighthouse,’ in the company’s first collaboration with the Dallas Theater Center.

This year will be the Dallas Black Dance Theatre’s 35th, so we talk with founder-director Ann Williams about surviving in North Texas, finally having a permanent home in the Arts District and what choreographer she still dreams of working with.

The American Institute of Architects has bestowed its prestigious Honor Award for Architecture on the Wyly Theatre. The theater is one of 10 structures so honored; others include the North Carolina Museum of Art and the San Francisco Museum of Modern Art Rooftop Garden.

Today in the roundup: Better directions in the Arts District, a new high school theater award and a chat with Erik Parker.

Consider this your wake-up call: It’s the last week for the world premiere of ‘The Trinity River Plays’ at the Dallas Theater Center – by Oak Cliff-native Regina Taylor. And KERA’s Jerome Weeks finally reviews it. It’s the holidays. He had major family gift negotiations. But hey, look: All seats for the rest of the run are $20. Read the review to find out how to get them.

Highlights from last night’s discussion with the Dallas Opera’s Graeme Jenkins and Theater Projects’ John Coyne: how to make the Arts District livelier, what the DO didn’t get that European companies do, building a Dallas Theater Center set on the fly.