Today in the roundup: Laughing it up in Dallas, packing ‘em in in Arlington and educating in Fort Worth.

Today in the roundup: Sargent visits the Carter, Turtle Creek Chorale’s new leader and a confusing confluence of names.

Today in the roundup: The Kimbell’s important acquisition, designing the Nasher’s Soundings series and awards for Texas writers.

To celebrate the opening of its new exhibition, The Age of Impressionism: Great French Paintings from the Clark, the first 101 visitors to the Kimbell Art Museum on Sunday, March 11, will receive FREE admission.

Onwards and upwards. Timothy Potts — moving from Fort Worth to Cambridge to California.

Today in the roundup: An architectural gem in Fort Worth, the importance of Dallas’ deck park and the case of the missing belt buckle.

Sure, Sotheby’s and Christie’s are in the business of selling artworks through public auction. But not only through public auction, not any more. They’re cutting private deals — like the one that got the Kimbell that Poussin.

Caravaggio and His Followers in Rome will only be seen in the United States at the Kimbell. The show documents how influential the 16th century master once was — despite his short, violent life. But there’s another story here, the story of a young artist starting out in the Big Art Capitol of Europe, finding a patron and leaving his mark — literally.

He’s been dead for more than 400 years, but all the sudden Caravaggio’s everywhere. The question is: why?

Henri Matisse Nu do Dos — or “Back I-IV” — is a landmark work of modernist art. So much so, Fort Worth’s Burnett Foundation decided it ought to sell its set. Problem is, they haven’t sold as a group.