Jerome Weeks | October 20, 2011
It’s the first survey of Mark Bradford’s meteoric career. In only 10 years, he’s had a solo show at the Whitney in New York and won the ‘genius’ grant. Bradford scavenges his LA neighborhood for scraps of paper — and turns them into archeological maps, abstract expressionist swirls, murals as ephemeral as newspapers, as corroded as Roman wall paintings.
Anne Bothwell | October 12, 2011
Art&Seek and the DMA are kicking off the State of the Arts series on Thursday and to celebrate, we’re offering a one year membership to the Dallas Museum of Art and your choice of KERA or KXT.
Stephen Becker | September 30, 2011
Today in the roundup: Checking in with a busy local choreographer, Hugh Laurie heads to New Orleans and cataloging the DMA’s collection.
Stephen Becker | September 23, 2011
Today in the roundup: Designing sets at Dallas Children’s Theater, searching for missing Fort Worth artists and restoring the DMA’s history online.
Jerome Weeks | September 16, 2011
The final roundup of the week gets tagged in Dallas (twice), examines the trend of one-painting shows at art museums, notes the changes in Sunday’s (gay pride) Festival in Lee Park and manages a quick go-round of reviews. So the roundup needs a weekend of rest.
Jerome Weeks | September 9, 2011
You’ve been waiting for it, haven’t you? I sure have. So I’ve packed a lot in this round-up: Ridglea Theatre’s new tenant, Uptown Players’ new gay pride theater festival, naked actors, more on the Kimbell’s new wall-covering and a rounding-off of other news.
Anne Bothwell | September 8, 2011
9/11’s impact on books and film; how to get $4,000 for your Texas-based art project, and kids at the DMA, by the numbers.
Jerome Weeks | September 1, 2011
Before she stepped down from directing the Dallas Museum of Art, Bonnie Pitman published a groundbreaking study of museum audience responses. It may well prove her most important legacy to the art museum world.
Joan Davidow | September 1, 2011
“Art of the American Indian” at the Dallas Museum of Art leads commentator Joan Davidow, director emerita of the Dallas Contemporary, to reflect on how we’ve gotten away from work of the hand.
Stephen Becker | August 31, 2011
Today in the roundup: What’s in a frame?, “Morphing” at Ochre House and how visual cues affect what we hear.