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23 Stories Tall – Now That’s Expanded Cinema

candy Is-The-SunStill

A detail from Mike Morris’ 2012 Expanded Cinema piece.

  • Recommended public spot for viewing for Expanded Cinema: 777 Sports Street. Check the Facebook page for updates.
  • Tune in to KXT 91.7 at 8 p.m. sharp Sunday for the soundtrack to Expanded Cinema.

Imagine a movie screen 23 stories tall. On Sunday, you can watch one.

The Omni Hotel in Downtown Dallas will be the canvas for Expanded Cinema, a collection of work from 10 video artists and teams. It’s the third year for the project, which is sponsored by Dallas VideoFest.
Jenny Vogel is a German born video artist who splits her time between Dallas and North Texas. Her work appeared in the first two Expanded Cinemas. This year, she’s curating the evening. As a child in Germany, the TV show Dallas formed her impression of the city. She remembers the combination of grime and gloss – oil, explosions, cowboys and sleek buildings – that opened the show.   And that wasn’t far from her mind when she chose the theme for this year’s show: Mirage.

“The Omni is such a great venue for that because it’s a façade, but it’s also a screen or a window into an imagined or fantastical version of the city.”

Vogel says the size of the LED lights on the Omni and the space between them makes creating work for the building very different

“So there are huge gaps in between the lights so it’s very much about figuring out the distance to the building and how images will actually blend using this very complicated system. A regular video probably won’t show up. So it’s a challenge for the artist to imagine what could work.”


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‘Hands On a Hardbody’ Is A Hard-Won Success

hardbody_5_hirezL – R: Garret Storm, Major Attaway, Chris Ramirez, Monet Lerner, Ashley Wood and Molly Welch in Theatre Three’s Hands on a Hardbody. Photo: Jeffrey Schmidt

Doug Wright is the Dallas-born playwright with a Pulitzer Prize for his drama, I Am My Own Wife, an Obie Award for Quills and a Tony nomination for the musical Grey Gardens. KERA’s Jerome Weeks reports this week, Wright was back in Dallas for Theatre Three’s staging of his latest musical, Hands on a Hardbody.

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The Big Screen: A New Score For A Hitchcock Silent

BigScreen_logoSMALLNext week, VideoFest will open its 27th edition with an event that’s part film, part music. The Dallas Chamber Symphony will perform a brand-new score that syncs up with Alfred Hitchcock’s silent film, The Lodger. This week, we talk to the man who will be conducting the musicians that night.

The Lodger screens Oct. 8 at City Performance Hall.

Be sure to subscribe to The Big Screen on iTunes. Stream this week’s episode below or download it.

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Greenhill School: High School Filmmakers in Texas

This week on Frame of Mind, see a collection of films created by high schoolers at Greenhill School.

  •  Tune in to KERA TV on Thursday at 10 PM to catch this week’s episode, which includes the following films:
  • “Life Through the Lens” directed by Ryan Kline
  • “Seawolf” directed by Caila Pickett and Max Montoya
  • “Zipper” directed by Mansi Gaur, Rachel Davis, and Maya Muralidhar
  • “Boom” directed by Brian Broder, Andrew Fields, and Daniel Matyas
  • “Silent Night” directed by James Bradford
  • “Just Your Average Joe” directed by Jade and Pearl Basinski
  • “Partner” directed by James Bradford and Max Montoya

Alex Barkley starring in “Partner.” Photo: James Bradford & Max Montoya

I went to Greenhill to interview Corbin Doyle, the video production teacher there, who also happened to be my high school video production teacher when I was at Greenhill.

Photo: Daniel Matyas, Andrew Fields, & Brian Broder

Photo: Daniel Matyas, Andrew Fields, & Brian Broder

On the beginning and growth of the Greenhill video production program:

It started 17 years ago.  When I came to Greenhill, there was no video production program at all.  I had won a DMA award that year and that is how Greenhill came to know me.  They called and said they were expanding their art department and they wanted me to figure out a way to mirror technology and arts.  We were one of the first schools to be thinking about things like that

So I pitched the idea of doing a video production class, and they thought it was more of a critical study course where we would talk about film.  And I told them no, we’re going to try and make film.  This was actually for middle school and I remember that, even for Greenhill who welcomes new ideas, I got a lot of pushback.  I remember, Ms. Carter, the previous Middle School head, finally signed off and gave me a one trimester trial with one class.  I didn’t have a classroom and I had no materials, so we literally shot on my little Handycam and edited on two little VCRs.

We had a group of seventh graders and it went really well – there was a good mood and we learned a lot of things.  So the middle school class became an everyday thing for the seventh and eighth graders, but there were no upper school classes.   After several years of middle school classes growing, I started having upper school classes and less middle school classes. That was right when Final Cut Pro and Adobe Premiere came out and we got to test out both of them.  We were one of the first schools to have final cut pro on one of the little hemisphere Macs, which wasn’t even fast enough to drive Final Cut Pro.

Photo: Ryan Kline

Greg Pearson starring as Private Hood in “Life Through The Lens.” Photo: Ryan Kline

The very first year that we actually had a class that we called Advanced Video Production (AVP), it was a tutorial with 4 girls.  And now, we have 60 people in Advanced Video Production right now – we literally have camp chairs for people in the room.  They’re all invited, they all have to have done the prerequisites, they have to write me a letter and then I have to sign off on people.  It’s a little crazy and a lot awesome.

It’s funny to think about, especially with the new building that is coming next year, how we’ve grown from not even having a classroom – we would meet literally in the rotunda of the middle school and walk around and ask teachers if it was okay if we could use their room – to what we have now.  The new film room is going to have 24 stations and a full fancy screening area in there.


Photo: Mansi Gaur, Rachel Davis, & Maya Muralidhar

On the highlights of the Greenhill video production program:

There’s milestones that you see change things a lot.  There’s one, Todd Levin ‘05, he made a film in his sophomore year that we had to talk to a blues musician to get the okay to use his music, and we had to get the okay from DART, and a couple of restaurants in downtown Dallas to be able to shoot the film.  This was the first film of all this preaching of we’re only limiting ourselves and that we can make much bigger and more produced films than we’ve been talking about doing.  That film was the one that was our breakthrough film.  We shot on DART trains, we shot in restaurants, we had a lot of adult actors, we got the okay from the musician who sent back a letter saying they were happy to be involved in any high school film that looked as good as that one did.

Then there were groups like Ryan Kline ‘11, Cat Hobbs ‘11, Leah and Kara Duncan ‘11, and that whole group that got involved in film festivals.  They said they wanted to be a part of AFI Dallas (that went on to become Dallas International Film Festival).  They got to see that world and how different it is being a part of a film festival.

Bart Weiss was the person that I went to when I was at Jesuit in high school and I didn’t know who to talk to.  I would send this guy letters and questions and he would always respond to me.  We lied early on and said that we were a college group so that we could be a part of the 24 Hour Video Race.  He knew that we weren’t, but that’s how the high school thing began – from us being squeaky wheels and saying we wanted to be a part of this.  Bart is integral to all of this, in terms of us having questions and this outlet to be able to do these things  I think people take the Dallas Video Festival a little for granted these days, because it’s this major film festival that’s been going on for so long and it’s so unlike the other film festival.

Todd’s film was opening doors in terms of scale of our projects; the involvement in SXSW and Dallas International Film Festival and Dallas Video Fest was the next big leap.

A still from the stopmotion film "Just Your Average Joe." Photo: Pearl & Jade Basinski

A still from the stopmotion film “Just Your Average Joe.” Photo: Pearl & Jade Basinski

On the state of Indie filmmaking  in Texas:

I think it’s great.  I mean there is a little money.  For instance, Jade and Pearl Basinski (Just Your Average Joe) just got a Women in Film grant.  I mean how cool is that, that a group like that in this town would see these high school student’s films and give them money to make more films.  That just doesn’t happen in Los Angeles.  There’s an infrastructure now that is easier for me to navigate than it was 20 years ago when we moved back to Dallas.  I think the Dallas Film Society, because of the film festival, has become a lot more of a player than it was before.  It’s something that people know to go to now.  I think before, people would come here and not know what to do.  The biggest things are these film festivals.  Compared to California and New York, it’s so much easier to get things done here than anywhere else.  The students that I had that are now in California, they remind me how blessed we are to have the ease of that here, compared to what they have to go through over there.

Being able to sit in a room filled with 200 people with William Friedkin, who turned the air conditioning down to 67 degrees, and watch his final edit of The Exorcist and then talk to him afterwards is a gift.  It’s a gift that gives every year.

Photo: Caila Pickett & Max Montoya

Photo: Caila Pickett & Max Montoya

On the biggest challenge working with high school students:

Let’s answer it the good way first – the good thing is that, even with middle school students, they’re not self conscious.  My joke is, when I write my middle school book, that any seventh or eighth grade boy will dress like a girl if you ask him to.  I don’t know why that is.  For upper school, they’re dreamers and that comes across in the stuff that they make.  They’re uninhibited, and they watch things and they take them in and are able to make stuff without worrying about what other people think of them or how it’ll affect their career — they’re just makers.

At Greenhill, everyone is very involved.  The biggest hurdle is probably that you have a person who’s a football player, in AVP, and is also taking AP and honors classes.  For these kids, trying to get 5 hours on a Saturday to shoot their film that they’re doing up at Lake Texoma which will take 2 hours to drive to, that comes to be very difficult.

Photo: Caila Pickett & Max Montoya

Photo: Caila Pickett & Max Montoya

I talk about how Greenhill has frictionless creativity.  For instance, the films that are due today, their pitch is “super human feats.”  We’re going to watch the first round of them and I can’t wait.  It’s going to be idiocy.  I have themes every year and this year’s theme is “Fight the Meh.”  I tell them that  I don’t care what it is, but if I have “meh” I’m going to be more mad at that, than if I have idiocy.  I have watched so many high school films in the last 17 years, that I think that “Fight the Meh” is an okay place to start.

On being included in Frame of Mind:

I’ve known Frame of Mind and I’ve known that it was kind of sporadic.  Then you hear from Bart that he’s going to make it more of a consistent show, and that’s awesome.  And then the joke is, you get phone call a few months later that is saying they want to do a whole episode on Greenhill films.  At first, you think it’s one of your friends that’s trying to trick you and then you realize that it’s something that’s actually happening.

It’s ridiculous, but it’s an unbelievable gift, and I can’t wait to hear what people think about the films.

I gave Bart and the group like 40 films to watch and I didn’t hear back for a while so I thought that it wasn’t going to happen anymore.  But they came back with very specific films that they had grabbed and liked.  It’s a little nostalgic, but a little awesome, and a little humbling, and scary, and pretty great.

Rather than looking back, it just seems like I can’t wait to see what we make next.


You can find more work by Greenhill’s Advanced Video Production classes on vimeo.

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The Bands, The Fans At Index Fest. Were You There?

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Categorized Under: Culture, KXT, Local Events, Music

Spune kicked off its 3rd annual Index Fest this past weekend in Deep Ellum.  Art&Seek’s Dane Walters, and volunteer photographers Jim Riddle, Lacey Dowden, and Britain Green were there to capture some of the sights over 3 days.

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Art Conspiracy: Artists, You Have 24 Hours to Respond

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Categorized Under: Uncategorized, Visual Arts

Art-Con-X-Call-For-Artists-bannerArt Conspiracy, the annual art auction to benefit small arts-related nonprofits, has issued its call for artists.

Interested artists need to sign up here. The call ends in 24 hours.

What are the requirements?

Art Conspiracy will give you an 18×18 board. You supply any materials you need to create your masterpiece. You must be available to create your work on November 8 at the Art Con warehouse.

Of course, you’ll also want to mark your calendars for Nov. 15. That’s the night work will be auctioned off at this year’s site, 500 Singleton Blvd.






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The Big Deal: Video Association of Dallas’ VideoFest 27


BD videofest post

This year the Video Association of Dallas will host close to 125 screenings of local, regional, and internationally produced media art programs, including panel discussions and a party or two for its 27th Annual VideoFest.

And there is no reason why you can’t come out and catch one or two events during the festival’s two week run. VideoFest 27 will be coming to a venue near you. This year’s venues include the Dallas City Performance Hall, the Alamo Drafthouse in Richardson, University of Texas at Arlington, South Dallas Cultural Center, and the Angelika Film Center in Dallas. Thanks to our VAD friends, for this Big Deal we have two-fer! Sign up to win two All Fest Passes good for all events throughout the festival. Or sign up for two Weekend Passes good for your choice of weekends – Oct. 11 & 12 with screenings at the Alamo Drafthouse in Richardson, or choose to the weekend of Oct. 18 & 19 with screenings at the Angelika Film Center in Dallas.

After signing up her don’t put that metaphorical pen down yet because you’ll want to sign up for our other Big Deals this week – – tickets to Texas Ballet Theater presentation of The Sleeping Beauty at Bass Performance Hall, or tickets to see the Fort Worth Symphony Orchestra’s One Singular Sensation: A Tribute to Marvin Hamlisch at Bass Performance Hall in Fort Worth.

PLEASE NOTE: Only Art&Seek e-newsletter subscribers can win the Big Deal. If you are not a subscriber then take care of that first, then sign up below for a chance to win passes to VideoFest 27.

Sign up here for your chance to win All Fest Passes to VideoFest 27
UDPATE:  We have our winners. Thanks for playing.

And sign up here for your chance to win Weekend Passes to VideoFest 27.

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The Big Deal: Fort Worth Symphony Orchestra’s One Singular Sensation: A Tribute to Marvin Hamlisch

Photo: Fort Worth Symphony Orchestra

Photo: Fort Worth Symphony Orchestra

In their upcoming Pops performance, The Fort Worth Symphony Orchestra will pay tribute to the legendary Marvin Hamlisch.  Adding their voices to the celebration will be film and Broadway stars Jodi Benson, Donna McKechnie, and Doug LaBrecque.   A prolific film, television and stage composer, Hamlisch won a Tony for A Chorus Line, and Oscars for his work on The Sting, The Way We Were and Sophie’s Choice. (sniff, sniff)  Hear Hamlisch’s award-winning music live when the Fort Worth Symphony Orchestra presents One Singular Sensation: A Tribute to Marvin Hamlisch. These Big Deal tickets will be good for the Oct. 10 show at Bass Performance Hall.

Don’t forget to take the opportunity to sign up for our other offerings this week – passes to the 27th Annual Dallas VideoFest, and tickets to Texas Ballet Theater present The Sleeping Beauty at Bass Performance Hall.

PLEASE NOTE: Only Art&Seek e-newsletter subscribers can win the Big Deal.  If you are not a subscriber then take care of that first, then sign up below for a chance to Fort Worth Symphony Orchestra’s One Singular Sensation: A Tribute to Marvin Hamlisch.

UPDATE: We have our winners. Thanks for playing!

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The Big Deal: Texas Ballet Theater Presents ‘The Sleeping Beauty’

BD Sleepingbeauty 600x189 post
Win this Big Deal and see Texas Ballet Theater perform one of the most famous ballets in classical ballet repertoire. TBT’s Artistic Director Ben Stevenson choreographs this production of  The Sleeping Beauty with music by Tchaikovsky performed live by the Fort Worth Symphony Orchestra.  Sign up to win a pair of tickets to the Oct. 18, 2 p.m. performance at Bass Performance Hall in Fort Worth.

And while you are signing up for this Big Deal, go ahead and sign up for are other Deals this week – passes to the 27th Annual Dallas VideoFest, and tickets to Fort Worth Symphony Orchestra’s One Singular Sensation: A Tribute to Marvin Hamlisch at Bass Performance Hall.

PLEASE NOTE: Only Art&Seek e-newsletter subscribers can win the Big Deal. If you are not a subscriber then take care of that first, then sign up below for your chance to see The Sleeping Beauty by Texas Ballet Theater.

UPDATE: We have our winners. Thanks for playing.

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Flickr Photo Of The Week

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Categorized Under: Visual Arts

flickr big this week 600x396

Congratulations to Jordan B. Hartman of Dallas, the winner of the Flickr Photo of the Week contest! Jordan is a first-time winner to our contest.  He follows last week’s winner, Neff Conner.

If you would like to participate in the Flickr Photo of the Week contest, all you need to do is upload your photo to our Flickr group page. It’s fine to submit a photo you took earlier than the current week, but we are hoping that the contest will inspire you to go out and shoot something fantastic this week to share with Art&Seek users. If the picture you take involves a facet of the arts, even better. The contest week will run from Tuesday to Monday, and the Art&Seek staff will pick a winner on Friday afternoon. We’ll notify the winner through FlickrMail (so be sure to check those inboxes) and ask you to fill out a short survey to tell us a little more about yourself and the photo you took. We’ll post the winners’ photo on Tuesday.


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