In Listen Up Philip, Jason Schwartzman is a novelist who uses his professional struggles as an excuse to alienate everyone in his personal life. The film was developed by the North Texas production company Sailor Bear, and this week, we talk to one of its principals – James Johnston – about what it took to make the movie.
Archive: 'The Big Screen'
Harry Shearer is known for his part in bringing This is Spinal Tap, A Mighty Wind, The Simpsons and other comedies to the world. This week, we talk to him about his career in comedy while he’s in town to accept VideoFest’s Ernie Kovacs Award.
More than 100 features, narratives and documentaries will screen at this year’s VideoFest, which kicks off tonight with a live-scored performance of Alfred Hitchcock’s The Lodger. So this week, we wade through the lineup to offer a few suggestions.
Next week, VideoFest will open its 27th edition with an event that’s part film, part music. The Dallas Chamber Symphony will perform a brand-new score that syncs up with Alfred Hitchcock’s silent film, The Lodger. This week, we talk to the man who will be conducting the musicians that night.
In the comedy Believe Me, four college seniors start a fake charity with the goal of bilking devout Christians out of money. This week, we talk to the film’s Dallas-raised director about how the story actually should appeal to a Christian audience.
Dallas filmmaker talks about filming in New Zealand, and, hopefully, here in Dallas with Robert Redford.
This week, Frame of Mind will be featuring 3 filmmakers, including Morehshin Allahyari. Her film, The Romantic Self-Exiles, explores the ideas that concern issues of home, space, diaspora, and our relationships as humans to our surroundings.
Chris Vognar, one half of the Big Screen team, reports from the Toronto International Film Festival.
On Thursday, KERA-TV will air the first episode of Frame of Mind. The 13-week series features some of the best independent films by Texas directors. This week, we talk to Bart Weiss, who curated the series, about what the films say about the state of Texas filmmaking.
The Lone Star Film Society is teaming up with the Modern Art Museum of Fort Worth for an Alfred Hitchcock retrospective. The series begins tonight with one of the director’s earliest film’s – Blackmail from 1929. This week, we talk to SMU film professor – and Hitchcock expert – Dr. Rick Worlan about how the movie previews Hitchcock’s later masterpieces.