Jose Bowen left SMU to run Goucher College in July. Now Goucher is the first college with an app for accepting video applications.
SMU professor Willie Baronet has been buying handmade signs from panhandlers for 23 years. In recent years, he made them into art installations in Dallas galleries. After a cross-country, 24-city trip, he’s now working on a book and a feature-length documentary.
Kat Candler, an Austin based filmmaker, is being showcased on this week’s episode of Frame of Mind.
North Texas filmmaker, David Lowery, is being showcased on this week’s episode of Frame of Mind. Lowery’s films reflect the word that he uses to sum up his favorite type of filmmaking: handmade.
Maria Munoz-Blanco, who’s been with the City of Dallas, since 2005 is leaving OCA for a new job. She helped open two new arts facilities and ran an award-winning public art program at Love Field.
This week, Frame of Mind will be featuring 3 filmmakers, including Morehshin Allahyari. Her film, The Romantic Self-Exiles, explores the ideas that concern issues of home, space, diaspora, and our relationships as humans to our surroundings.
Mark Birnbaum, a documentary filmmaker will be kicking off the Frame of Mind series with his film Swingman. This film tells the story of Marshall Allen, a Fort Worth firefighter who was in a freak accident that left him physically paralyzed and emotionally healed.
From the sound of rainwater on a can to hundreds of audio clips from Western movies, the Cotton & Oil exhibition, ‘And then I whirled to the sound of,’ uses sounds to make you think and feel.
The Met Opera’s general manager Peter Gelb has said simulcasts are simply not drawing younger audiences the way they hoped, while the Dallas Opera’s Keith Cerny says theirs certainly are. Who’s right? They both may be.
Inside the New Cities Summit, the think-tankish talk-talk about our urban future that’s going on in Dallas, there’s a smaller conference about arts districts. And however big-idea they both might seem, they are, essentially, old-style trade shows. That’s a good thing.