Today in the roundup: The man behind ‘Memphis,’ talking ‘Tosca’ and Van Cliburn’s stuff.

What does Godard’s Breathless have to do with Working Title, the show going on at ro2 Gallery Downtown? Guest blogger Jason Parry, a member of the Solvent art collective putting on the show, is glad you asked.

Today in the roundup: A grueling art project, reconsidering opera categories and budding biographers.

Supersized performing forces and a high energy level sometimes threw the balance off in the Dallas Symphony Orchestra’s performance of Beethoven’s Fidelio, but the excitement was there.

We’ve come to accept so much of what Harold Pinter pioneered in The Birthday Party. From Monty Python to David Mamet, we’ve found his menace, his puzzles, his great, off-the-wall humor. It takes the Undermain and director Patrick Kelly to find the old-fashioned, theatrical delight.

In the Saturday Spotlight, we’re headed down to Dragon Street in the Design District for a whole bunch of art openings.

Nine – count ‘em NINE – shows I’d like to swing by this weekend, from Ernesto Neto at the Nasher and Chihuly at Tally Dunn to a very public retreat on the streets of Oak Cliff and diamonds made from the script of Superman III.

Because Fort Worth Opera presents its shows in rotation, it has to scramble between Bass Hall and Scott Theatre. That’s going to change. What isn’t changing is its commitment to newer, more adventuresome operas.

Some new additions to the June 1 concert at Gexa – including a little something from Art&Seek.

Today in the roundup: Opera in various forms in Fort Worth, plus Calatrava’s problems in his native Spain.