Jerome Weeks | October 10, 2011
Henri Matisse Nu do Dos — or “Back I-IV” — is a landmark work of modernist art. So much so, Fort Worth’s Burnett Foundation decided it ought to sell its set. Problem is, they haven’t sold as a group.
Anne Bothwell | October 10, 2011
Get a taste of TEDxSMU down at the Kessler and help choose the winner who will get to present at the annual conference.
Anne Bothwell | October 7, 2011
How will Art Conspiracy run its new artist lottery this year? Judging by the video, the process looks….scientific.
Anne Bothwell | October 6, 2011
Caroline Rose Hunt and Frank Risch will be recognized for their contributions to the arts in Dallas.
Long before the MacBook and the iPad, the Apple co-founder and former CEO dreamed that computers could be used to help unleash human creativity. He spent much of his life bringing that dream to fruition.
Jerome Weeks | October 5, 2011
Three new sculptures were installed there this morning — as place markers for new multi-use buildings going up between Central and McKinney Avenue. One is even a black marble ‘water table’ by well-known Dallas stone sculptor Brad Goldberg.
Anne Bothwell | October 5, 2011
This Big Deal winner gets to plan ahead for some saucy fun: La Cage Aux Folles at Dallas Summer Musicals.
Stephen Becker | October 4, 2011
Today in the roundup: Assessing the arts in Fort Worth, plus the logic behind staging classic plays.
Jerome Weeks | October 3, 2011
A virtual survey of 60 artists, critics, gallery owners and others lead to the magazine’s bucket list of must-sees in Texas art museums — Caravaggio! Rembrandt! Donald Judd! — plus another list of Lone Star movers and shakers in the art scene. Now, on that list, Dallas has a revealing entry.
Jerome Weeks | September 30, 2011
It’s another epic PBS doc in the Ken Burns style: handsome, solemn, thoughtful and safe. But while Prohibition relates the story we know – Carrie Nation, Al Capone, speakeasies and jazz — it has some we don’t. Like how a political minority could change America so drastically. Or how a young woman lent The New Yorker some wit.