Fred Astaire and Ginger Roger on rollerskates. The singing done in just one take, the dancing in two.

Twitchy, hallucinatory cartoons in the air. Galloping balloon animals. Fun. Cool. Watch.

Oh, it’s nothing more than trying to make a provocative, sophisticated weekly icon — choosing the cover of The New Yorker. That’s what Francoise Mouly has done the past ten years.

Pure originality is a romantic illusion. Innovators steal and borrow and sample their predecessors. “All art is a remix” goes the new mantra. And one great example is The Matrix.

Running and gunning with muralist Jeff Soto — and his new, decked out, robotic art car. Grafitti art as drive-by.

Just chopping up a few fresh ingredients for some great guac. Let’s see … golf balls, baseballs, billiard balls, check. Pin cushion, check. Oh yes, and the hand grenade.

A time-lapse video by filmmaker Frans Hofmeester that’ll make parents tear up. And gaze in wonder. Sometimes it really does feel like it all happens in under three minutes.

How do those opening credits draw you in? Some of the top designers in the biz share their secrets.

PBS Digital Studios talks with three top tattoo artists about the way they approach their medium.

The guy who brought you the stop-motion Fresh Guacamole is back with another cooking lesson.