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North Texas Artists in Turkey: Tim Coursey on Turkish Traits

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Categorized Under: Culture, General

With time to kill in the Grand Bazaar and the name of our group’s later meeting place as a password, guest blogger and artist Tim Coursey considers the Turkish character…

No one could be treated as well as I was in Turkey and remain a critical observer, disarmed by our even-tempered, generous hosts, guides, drivers, innkeepers, even company spokespeople. But I like to indulge in assigning national characteristics– everyone knows what a German is supposed to be like, or a Swede or whomever.

Which is why, finally turned loose in the vast, seething maze of the Grand Bazaar with a magic word, “iri-jami”, my only way out, Alp-less and American as the dickens, I took the opportunity to frankly assess the Turks.

Here’s the first national trait: They are frankly assessing you. There’s an unhurried openness to that Turkish glance, nothing furtive, that’s either disconcerting or endearing; they’ve got your number.

Here’s another trait: If they find you amusing they’ll go ahead and laugh. It’s very different from derogatory asides you overhear from the Americans; that Turk is laughing at you, though not maliciously, and doesn’t care if you know it. The proper response to “Iri-jami?” is a chuckle, a vague directional gesture, and the word “kilometer”. And there was the hotel restaurant staffer who thought my hat was the funniest thing he’d seen all morning, and our elegant, laid-back industrialist who cracked up when asked what the Turkish for “dolma” was.

This one is elusive: Nearly all Turks seem a little sad. It is as if there’s something wrong kept in abeyance, some intractable difficulty that they are bound and determined not to let get the better of them. I think there’s a kind of sadness in the patient demeanor of folks so famously caffeinated.

Conviviality is an easy one to spot since I have so little of it. They keep it turned on all the time. The guy with the fake Rolexes, after I made the empty-pockets gesture, hung around a couple of minutes so we could talk about the weather. You can and probably should sit down over tea with absolutely anyone. Turkish drivers will execute astonishingly complex socio-mechanical maneuvers in the crowded one-and-a-half lane streets; horns are informative, not punitive. And I hadn’t seen people washing themselves at public hydrants since I was a child at Fair Park, where I was discouraged from doing so.

Apparently our group is representative enough of our own national character. The day after dinner with a family out in the countryside, Alpay, briefly describing what our hosts liked about our visit, squealed and chattered like an American.  Glad we were appropriate.

One Response to “North Texas Artists in Turkey: Tim Coursey on Turkish Traits”

  1. kimberly alexander says:

    Here’s a list of Tim Coursey traits, just to balance out the point of view. Comfortably quiet and observant. Tim and I silently manned the rear windows of most of the road trips in Turkey, noses pressed to the glass. I loved not talking together. Brilliant. I learned quickly that I never want to miss a word from Tim Coursey when he finally speaks. He draws from a deep well. Big hearted. He’s as tender as a frog belly in the way he treats others, but stone tough in what he expects from himself. That’s a man you can trust. He’s as genuine as they come. Among our band were friends who have known Tim since the Bronze Age, and I could easily see why they would lapse into a chorus of Tim-praising. Oh, and he hates to be complimented, which is endearing because he deserves it so much.

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